Index_Realizing

Realizing Electronic Dreams:
A Composer’s Notes And Themes



Part Three B of
EMERGENT MUSIC
AND VISUAL MUSIC:
INSIDE STUDIES


Ronald A. Pellegrino



Electronic Arts Productions


Index



Abdul-Jabbar, Kareem, 68
academic freedom, 88
aesthetic judgments, 4, 201
aesthetics of music, 199
Albin, William, 101
alchemy in the arts, 73, 199
algorithm, xiv, 3, 4, 43, 63, 75, 78, 79, 84, 91, 98, 100, 104, 114, 123, 125, 126, 199-201
Ali Akbar Khan, 38
alphaPoints, viii,, 57, 58
alphaSpring, viii, 54, 60
Alpha Strings, vii, 12
alphaSunset, viii, 54, 57, 61
alphaSyntauri, 12, 58, 60, 61, 199
American Society of University Composers, 160
Amirkanian, Charles, 39
Ancient Music, 76
An Electronic Studio Manual, xvi, 32
Apple IIe, 58
Appleseed, Johnny, 141
ArtMatic, 73, 199
Aurelio, 210
Austin, Larry, 43, 92

Balinese Gamelan, 54, 60
Bell Laboratories, 42, 110, 129
Bellows, x, 93, 94, 129, 131, 132
Berger, Karl, 62
Berkeley Barb, 168, 170
Berkeley Museum of Art, 43, 93, 152
Blau, Herbert, vii, 34
Boulanger, Nadia, 212, 213
Boys Being Bad, vii, 28
Breeden, David, 214
Brotherly Breezing, vii, 28
Brün, Herbert, 77-79, 91, 97-99, 214
Buchla Associates, 214
Buchla Electric Music Box, 117
Byrd, William, 13, 97, 138

Cage, John, 151
CALCOMP PLOTTER, 78, 99
CalPoly in San Luis Obispo, 190, 191
CalState-Dominuez Hills, 173
California State University, 215
California Institute of the Arts, 214
Caruso, Enrico, 210
Celli, Joseph, 214
Center For World Music, 38, 60, 89
Centre Culturel Americain, 157
Chadabe, Joel, 175
Charlie’s Affirmation, viii, 44
Childs, Barney, 83
chord cluster tuning studies, 81
chromaticism, 51
Clarinet and Friend, 83
Cleveland Plain Dealer, 174, 175
Closing, viii, 57, 62
Cloud 7, vii, 12
Colby College, 188
collective unconscious, 49, 54, 200
complexity theory, 4, 200
compositional algorithms, 3, 4
compositional field-tests, 200
compression algorithms, 43
Continuum, 37, 40
Coppola, Francis Ford, 89
Crane, Robert, 213
creativity software, 200
Crossing, viii, 57, 59
Cummings, Winford, 101
Current Music Festival, 28, 100, 102, 103, 112
cyberspirits, 15, 200
cymatics, viii, 18, 54, 57, 63-65, 109, 125, 126, 200, 203
Cymatic Sail, vii, 118
Cymatics Sails Again, viii, 54, 57, 64, 65
Cynthia's Dream Evolved, vii, 16
Cynthia's Dream Straight, vii, 16

daydreams, 49, 212
De Anna, Tony, 37
de Oliveira, Jocy, 63, 126, 214
divine intervention, 12
drum circle, 41
dynamical forms, 201
dynamical systems, 65, 139, 199
dynamic equilibrium, 201
dynamic graphic scores, 14, 20, 133

Early 70s Lamentations, x, 128, 130, 132
Early Earth Walk, x, 134
East Bay Hills, viii, 42
Eastman Lane Studios, 72
ebook, xvi, xvii, 201
Electronic Arts Productions, 18, 37, 40, 45
Electronic Weasel Ensemble, 38
emergent music, xiv, xv, 3-5, 46, 73, 121, 135, 201
EMS of Amherst, 214
entrainment, 85, 201
EnufZEnuf, x, 126
envelope, 65, 82, 201
ephemeral forms, 200, 201
Ephemeral Forms: Mother Musing's Flight Patterns, viii, 42, 92, 201
event, 201
evolutionary imperative, 3, 5
experimental, 202
Experimental Intermedia Foundation, 153
experimental music, 30, 39, 40, 46, 54, 81, 89, 93, 101, 105, 131, 135, 213

fake book, 24, 57, 202
Fair Isaac Inc., 215
Fairlight Voicetracker, 17, 202
Fanning, Cynthia, 16, 76, 214
Fascinating Rhythm, 54, 57
FascinBloom, viii, 54, 57
Faud, Robert, 117
feedback, 4, 10, 15, 16, 53, 59, 147, 199, 200, 202
Fellini, Federico, 75
Finney Chapel, 104, 105, 123, 124
Fisher, Margaret, 44, 81, 126, 139, 214
Fleming, Renée, 68
flowcharts, 84, 130, 199
Ford Foundation, 213
Fox, Deb, ix, 69, 71-73, 81, 214
Free Electrons, vii, 28
free music, viii, 37-41, 43, 62, 63, 85, 89, 128, 202, 206
frequency, 15, 17, 59, 60, 65, 73, 79, 81, 82, 84, 94, 99, 100, 117, 122, 131, 200, 202, 204, 207
Friends Frolic And Baby Bubbles, viii, 46

galvanometers, 202, 203, 214
generative systems, 200
generic composition, 10, 202
Gillerman, James, 40, 43, 44, 81, 93, 104, 107, 124, 126, 129, 136, 139, 140, 155, 214
glass harmonica, 16, 53, 59, 202
Glasssongs, vii, viii, 16, 53, 59
Golden Gate Park, 41
graphic scores, 14, 20, 78, 79, 98, 133, 202
Great Wails for Herbert Blau, vii, 34
Grimes, Ev, 147, 148
Gunn, David, 78, 98

Hall Auditorium, 101
Hanson, Howard, 213
harmony, 53, 100, 102, 142, 205, 210
Hendrix, Jimi, 14, 110
heterophony, 72, 73, 202
Hewlett-Packard, 37
Houghton, Ralph, 211
human feelings, 69
Hunt, Jerry, 62, 158, 214
Hussain, Zakir, 38

IBM, 78, 99
Intermuse, 43, 92
instrument design, 14, 20, 32, 46, 65, 75, 104, 121, 123, 124, 133, 134, 203
Italian-American Electronic Music Dramas, vii, 26, 96, 112
Italy, 210

jazz, 24, 26, 39, 40, 51, 54, 58, 95, 11, 202, 210, 211
Jenkens, Margaret, 214
Jenny, Hans, 63, 64, 109, 125
Johnny MusicMeme, x, 63, 141, 143, 145, 146
Johnson, Will, 37, 151, 218
Johnston, Ben, 91
Juliet of the Spirits, 75

Kaleidoscopic Electric Rags, x, 104, 105, 108, 109, 123, 124
Karma, 199
Kelly Lane Studios, 37, 40, 45, 128, 137, 140
Kenosha, 23, 24, 141, 210-212
Kenosha Civic Band, 23, 210
Khan, Hazrat Inayat, 38
kinesiology, 75, 203
Klezmer, 40, 89, 203
Kolisch, Rudolf, 6, 7, 59, 213, 215
Koykkar, Joseph, 189, 196, 214
KPFA, 39, 41, 89, 136, 203
KQED, 89, 110
kyma, 65, 203

Lanier, Jaron, 38
laser animation, 14-16, 50, 57, 82, 83, 85, 110, 139, 140, 144, 201, 203, 206
Laser Seraphim - Fast, vii, 14
Laser Seraphim - Slow, vii, 14
Lawrence Conservatory of Music, 25, 58, 167, 212
Lawrence University, 213
Leading Edge Music Series, 17, 62, 76, 93, 129, 131, 158, 159, 215
Leonardo, 18, 203
Leibowitz, René, 6, 7, 59, 213, 225
Light Feet, viii, 40, 41
limen, 203
Lissajous figures, 15, 200
Lissajous Lives Film Series, 14, 20, 59, 82, 108, 110, 122, 132, 133, 214
Listen Duet, x, 110
location modulation, 34, 117
London, Edwin, 91, 214
Loving Leviathans, viii, 54, 61
Lubbock's Dorian Rain, viii, 54, 62

Macintosh computer, 73
Madole, Dena, viii, 30, 33, 214
Mann, Frankie, 50, 104, 124, 214
Markings for Dena Madole, viii, 30
Martirano, Salvatore, 25, 26, 50, 91, 96, 101-103, 128, 130, 203, 214
Mary D. Bradford High School, 211
matrix, 5, 100, 203, 204, 206, 207
matrix alignment, 5, 203
McDonald, Lawrence, 19, 129, 132, 214
media band, 18, 28, 40, 43, 92, 96, 109, 112, 121, 135
memory, 3, 26, 209
Metaesthetics List, 204
Metabiosis V, x, 108, 109, 114-119
Metabiosis VI, 99, 100
Metabiosis Series, 99, 100, 102, 114, 115
MetaSynth, 73
metatheory, 204
Miami University, ix, 28, 92, 96, 99, 100, 112
Michigan Tech University, 166
MIDI, 12, 17, 58, 61, 64, 71, 107, 199, 202, 204, 213
Mills College, 42, 110, 129
Milwaukee River, vii, x, 12, 13, 75, 96, 97, 128, 138
Ming, James, 212
Mitchell, Janice, 78, 98
Mitka, Manny, 212
modal systems, 50
module, 26, 32, 34, 57, 73, 95, 105, 111, 124, 204, 206
Moog synthesizer, xvii, 13, 25, 32, 33, 75, 77, 78, 84, 97, 98, 101, 138
Morgan, Julia, 38
morphology, 204
Moscovitz, Howard, x, 40, 42, 46, 50, 109, 110, 121, 129, 134
Moselle, Charles, 40, 41, 42, 44, 81, 126, 214
multidimensional matrix, 204
multimedia, xvii, 20, 30, 43, 50, 69, 74, 82, 89, 92, 99, 114, 121-123, 133, 135, 201, 204, 205,
207
multiphonics, 14, 110
Mumma, Gordon, x, 40, 43, 44, 46, 50, 93, 107, 109, 121, 129, 134, 140, 214
music of the spheres, 10, 204
music synthesizer, 14, 15, 17, 26, 34, 50, 57, 81, 89, 94, 96, 109, 110, 112, 122, 128, 132, 199, 203-205
Myers, Helen, 78, 79, 98, 99
mystic, 5, 10, 205, 215

Nagra, 74
National Center for Experiments in Television, 89, 93, 110, 213
National Endowment for the Arts, 146, 165, 215
National Endowment for the Humanities, 146, 215
Nella, 210
New Age, 40, 171
New Music America Festival, 161-164
New Music West Festival, 43, 93, 135
Niblock, Phill, 62, 153, 159, 214
Nicolai, Frank, 211
Nicolai, Pete, 23, 24
non-linear transducer, 82, 122
North Texas State University, 160

Oakland, 42, 45, 89, 110, 129
Oakland Shuffle, x, 129
Oberlin College, ix, 19, 34, 63, 74, 82, 90, 92, 99, 104, 105, 109, 115, 122-125, 132, 146, 213
Old First Church in San Francisco, x, 46, 109, 121, 129, 134
Oliveros, Pauline, 62, 93, 129, 131, 159, 162, 168, 214
omnimedia, 205
One World Family New Age Center, 171
on-the-fly, xvi, 5, 15, 58, 62, 71, 142, 205, 206
open art system, 205
Opening, viii, 57
oscillographic images, 205
oscilloscope, 15, 16, 33, 59, 77, 98, 205, 214
Other Minds, 72

Pacelli, Robert, 214
Pangaea, 37
Papier, Bruce, 94, 131
Partch, Harry, 89, 91
Payne, David, 63, 94, 131
Peck, Art, 210, 211
perception, 82, 122, 197, 205
peregrinus, 84
performance field tests, xvii, 205
performance-multimedia, 43, 74, 92, 121, 135, 205
performance-videography, 85, 205
periodic systems, 205
persistence of vision, 205
Petaluma, 18, 37, 40, 41, 45, 60, 61, 72, 85, 89, 128, 137
Phil’s Float, ix, 83, 85
Phoenix Rising, vii, 23, 28, 95, 109, 111
Pipe Dreams, ix, 69-71
pivot points or planes, 50, 51
Plato, 72
poetics of dynamics, 205
Project Artaud, 89, 110, 214
protocompositional, xvi, 205
psychophysics, 15, 204, 205
Putney VCS-3, 117
Pythagoras, 85, 205

quadraphonic, 82, 101, 104, 124

Raetze, Toby, 82, 116, 117, 119, 120, 215
ragas and talas, 206
ragas (Indian), 206
Ravel, 6, 117, 122, 139, 146, 210, 213
real time composition, xv, xvi, 5, 6, 11, 15, 17, 19, 20, 43, 49, 61, 62, 66, 69, 72, 76, 84, 92-94, 102, 104, 123, 130-132, 134, 142, 145, 201, 206, 207
Real Time Electric Theater Band, 62, 94, 129, 131
Rehfeldt, Phil, 83, 214
R*ES@Cat's Paw in Berkeley, x, 139
resonance, 76, 206
Rigor Mortis Dance Frenzy, viii, 44
Rio de Janeiro, 63, 84, 126
Roarty, William, 214
Rocking Duck Blue, viii, 65
Roget's Thesaurus of Words and Phrases, 17, 77
Russell, John, 187, 214

S&H unit, 19, 133, 206
S&H Explorations, vii, x, 19, 83, 129, 132
San Francisco Bay Area, 26, 37, 39, 43, 74, 81, 85, 88-90, 92, 93, 104, 109, 121, 124, 126, 135, 136, 207, 224
San Francisco City Arts, 198
Santa Rosa, 37
Saturday Sunrise, viii, 41
Schoenberg, Arnold, 6, 13, 59, 97, 138, 213
Scriabin, 214
scrims, 43, 93, 206
Sebastopol, 37
seed crystal, xiv
sequencer, 17
Seraphim, vii, 14, 15
Shankar, Ravi, 38
Shimmer, ix, x, 81, 82, 108, 122, 123
significant forms, 5, 206
Silicon Valley, 39, 89
Simons, David, 40, 41, 44, 81, 126
Soft Candy, vii, 18
sonification, 206
Sonoma Electro-Acoustic Music Society, 151
Sonoma Summer, viii, 57, 60
Sonoma State University, 189
sound design, 75
spectral component, 204, 206, 207
StellaBloom, viii, 54, 57-59
Stella By Starlight, 54, 57
St. John’s Presbyterian Church in Berkeley, 38
Strange, Allen, 38, 170
sublime, xiv, 24, 69, 74
Synthi AKS, 26, 63, 83, 95, 105, 111, 124, 206, 214
Syracuse University, 153
system configuration, xiv
systems, 3, 4, 6, 9, 18, 20, 34, 46, 50, 52, 53, 57, 58, 64, 65, 69, 75, 84, 85, 93, 99, 100, 114, 115, 121, 130, 134, 139, 145, 199-202, 204, 205, 207, 214
systems design, 99, 114

Tektronix Inc., 214
Templeton, Larry, 110
Templeton Video Synthesizer, 110
Texas Instruments, 215
Texas Tech University, ix, 16, 60, 62, 76, 92-94, 129, 131, 213, 215
The American Federation of Musicians, 212
The Deb Fox Heterophonic Alchemical Tours, ix, 71, 73, 81
The Electronic Arts of Sound and Light, x, xiii, xv-xvii, 18, 46, 52, 60, 107-109, 114, 127, 153, 154, 204
The Exploratorium, 89, 207
The Future Primitive Art Ensemble of San Francisco, 37, 40, 41, 44, 81, 89, 126
The Great American Songbook, 11, 24, 54, 57, 58
The Ineluctable Modality, 91
theme and variations, 39
The Ohio State University, ix, 30, 33, 77, 92, 94, 97, 99, 131, 213
The Real* Electric Symphony, x, 5, 37, 40, 42-44, 46, 81, 89, 92, 104, 109, 121, 124, 126, 134, 135, 139, 201, 207, 215
The Real Time Electric Theater Band, 62, 94, 129, 131
The University of Illinois at Urbana–Champaign, ix, x, 26, 29, 77, 91, 92, 95, 98, 111, 128, 130, 132
Through The Arch, viii, 44
tonal systems, 50
tone painting, 13, 97, 138, 139, 207
Too, vii, x, 14, 24, 108, 120, 149
Tower, Joan, 62, 159, 214
Tour One from The Deb Fox Heterophonic Alchemical Tours, ix, 71, 72
Tour Two from the Deb Fox Heterophonic Alchemical Tours, ix, 72, 81
transducer, 15, 82, 122, 202, 207
transfer function, 77, 98, 100, 114, 203
transient, 207
Tronic Folksong, x, 128, 137

U&I Software, 73
UBU, 37, 40, 149
UC-Berkeley Carillon Lark, x, 129, 135
UC-Berkeley Lawrence Hall of Science, 89, 135
University of California, Berkeley, ix, 92, 152
University of California, Davis, 150
University of California, Santa Barbara, 172
University of Missouri-Columbia, 165
University of Redlands, 83
University of Wisconsin-Madison, ix, 10, 13, 25, 28, 33, 75, 92, 96, 112, 138, 143, 192-196
U.S. State Department, 215

Vapor Trails, viii, 45
variable, xvi, 4, 17-19, 50, 52, 68, 73, 78, 81, 89, 98, 100, 117, 122, 142, 200-202, 204, 206, 207
Victrola, 210
Video Slices, x, 108, 109
Vilas Fellowship, 209
virtual group, 43, 92, 121, 135, 139
virtual reality, 38, 207
visualization, 200, 215
visual music, xiii, xviii, 3, 14-16, 20, 37, 39, 46, 50, 59, 73, 77, 79, 82, 84, 85, 91, 98, 110, 133, 134, 139, 144, 202, 207, 215
Voice Sifting, x, 128, 130

Wabash College, 178, 179
Wagner, Richard, 13, 97, 138
Washington State University, 180
Waters, Richard, 37, 151
wave characteristics, 206
waveform variables, 201, 204, 207
Wavesong, viii, x, 57, 63, 108, 109, 125, 126
Way, Brenda, 82, 122, 214
Webern, 6, 59, 213
Wenger, Eric, 69, 73, 199
West Coast Computer Faire, 154, 155
Wham, Matalie, 63
Wilson, Olly, 40, 43, 46, 75, 93, 121, 129, 134, 214
WMUB, 101
WOBC, 104, 105, 122
Woods, Tiger, 68
Wyschnegradsky, Ivan, 157, 215

Ylem, 89, 207
Yoder, Christian, 101

Zabukovic, Frank, 212